Larry Sawyer

In My Irritable Youth

I was walking around inside myself one summer and couldn’t get out.

There were no maps of adulthood so I foraged for food like an animal.

I tried to explain my behavior by saying aren’t we all just animals.

One of my teachers said you mean metaphorically.

I shout literally and realistically.

(In my irritable youth I was hexagonal.)

Thirty five years later: You mean metaphorically says every day of adulthood and to adulthood I respond grow up.

Wilderness

Already one metaphor

won’t allow another to

so quickly or these metaphors, pile up like trains, jump the tracks

Our union meeting has resumed, thank god

what is discussed is

as important as the eyes of a mother

upon her metropolis: the city won’t eat

and throws a bowl filled

with lumpy skyscrapers

at a wall made only of summer air,

off in the distance, a tree silently dissolves there

You Get Paid

In ducks

in sighs

in mosquitoes but

it was worth it.

Shall we

gather at the river?

The definition of

happiness is watching

Filled With the Memory of Your Porcelain Abandonment

I am your animal filled with light.

My eyes are yellow flame.

In the night I

lurk among the flowers,

where they lie sleeping.

Inside each shadow there is an appointment I am keeping.

I enter the dark and

sit on a chair

made only of the evening air.

When the moon rises, I reach up to touch it. Then,

I chop off the summer with a hatchet.

Our train arrives at midnight, let’s catch it.

Go Ask Alice

Alice writes with glittery malice

lives in a mushroom shaped palace

knows what the power of the pen is

and never includes phallic symbols in her poetry.

Now

she calls her friend Dennis

they’re both taking tennis

and says in the humidity she finds solace.

Aubade

Some socks have trick locks.

We try to evade the reasons why.

It’s unnerving the sounds they make.

There are ten envelopes containing letters therein.

We try to contain our excitement but a breeze blows in—

the smell of apple pie.

Lots of people grok but few know.

trees sway pretty in the wind.

Eight-by-ten glossies of autumn encircling them.

Pops drops by to talk, drawing

Vermeer’s Girl with a Pearl Earring in chalk.

We blast past it then dive. Glowing, alive.

He's a Real People Person

Here’s a city

hear the bells

it has its own velocity

and smells.

See the people

as they walk

a church and a steeple

outlines in chalk.

Where there’s want

there is crime

there will be no detente

no splash of lime.

While looking up

enjoy that view

in gazing downward

there’s more of you.

Why I Will Not Wear Lavendar

The horses had eyes of schoolyards

in the morning as I fed them numerals.

As we saddled up the mountains to ride

another me came from around a corner

shouting the test is today and you haven’t studied.

I respond to this unbelievable other

that I have learned the only lesson in life that matters:

no one is paying attention to anything

until the ladder of lightning

streaking across the sky

descends to let us climb

the tower in our hearts.

At that moment the sky winked

along and our lives seemed somehow enlarged

and our guns shot only dandelions

and our eyes were

finally innocent diamonds

dumb with wonder.

Larry Sawyer (1970–2025) was a poet, essayist, publisher, impresario, and fiction writer. His books of poetry include Daylight Hammer (mother’s milk press, 2021), Breaking Lorca (White Hole Press, 2014), Vertigo Diary (Blaze VOX, 2013), Unable to Fully California (Otoliths Press, 2010), A Chaise Lounge in Hell (aboveground press, 2003), as well as other collections. He is a co-founder of Milk Quarterly. The poems here were likely the last Larry sent out. They will be included in his final collection The Blue Butterfly, to be published posthumously by Guernica in 2027.